NGboo Art

Jun 29, 2016

Polugodišnji presek 2016

Filmski osvrt na prvih šest meseci ove godine.

Igrani filmovi


1. The Forbidden Room (Guy Maddin, 2015)
2. Endorphine (André Turpin, 2015)
3. The Survivalist (Stephen Fingleton, 2015)
4. Cosmos (Andrzej Zulawski, 2015)
5. Menuju rembulan (Ismail Basbeth, 2015)
6. Knight of Cups (Terrence Malick, 2015)

Animacija


1. Avril et le monde truqué (Christian Desmares & Franck Ekinci, 2015)
2. Sarusuberi: Miss Hokusai (Keiichi Hara, 2015)
3. Harmony (Michael Arias & Takashi Nakamura, 2015)
4. Shisha no Teikoku (Ryōtarō Makihara, 2015)
5. Zootopia (Byron Howard, Rich Moore & Jared Bush, 2016)
6. Tout en haut du monde (Rémi Chayé, 2015)

Blast from the Past


1. Κλέφτης ή η πραγματικότητα (Αντουανεττα Αγγελιδη, 2001)
2. Il mare (Giuseppe Patroni Griffi, 1963)
3. Karagoez catalogo 9,5 (Yervant Gianikian & Angela Ricci Lucchi, 1983)
4. Yi fu zhuang jin (Qian Jiajun, 1959)
5. Il giardino delle delizie (Silvano Agosti, 1967)
6. Streets of Fire (Walter Hill, 1984)
Објавио Nikola Gocić у 12:57 PM
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Ознаке: anime, dugometražna animacija, dugometražni igrani film, lista

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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, in 1980) is an architect by profession and a film enthusiast and collage artist by passion. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (during 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival and Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. Contact: nikola[dot]gocic[at]hotmail[dot]com
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