My ‘creative repose’ through AI experimentation – a poor man’s version of a holiday or some such escapist activity (because reality sucks, that’s why) – continues with a series of nineteen dreamy and ‘creamy’ images which see human figures and recurring motifs, such as pearls, rocks and skulls, in compositions informed by experimental cinema, myths, fashion editorials, and 1950s/60s aesthetics, subverting religious themes and the application ‘guidelines’ by way of deliberate (homo)eroticism.
Featuring the likenesses of Maude Fealy, Veronica Lake, Forrester Millard and an anonymous (French?) boxer (Engelmann), from the photos found in the public domain.
Jun 14, 2026
The Cream of the Dream
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