☼☼☼☼☼☼☼☼(☼) out of 10☼
Part behind-the-scenes documentary and part 'electrifying translation' of a contemporary dance performance to the medium of cinema, as noted in the official synopsis, Anaphase is a fairly successful attempt at capturing experimental nature and manic energy or rather, lyrical forcefulness of the eponymous show conceived by renowned Israeli dancer and choreographer Ohad Naharin. By virtue of frantic editing, Levi Zini makes the images - immersive in their grainy splendor - sway in the rhythm of the Batsheva Dance Company troupers' synchronized heartbeats, pulling us into a constantly changing vortex of movement. During a couple of calmer / atmospheric rock passages, we are introduced to Mr Naharin's guitar-playing skills and velvety baritone that recalls the likes of David Bowie and Nick Cave, as well as to the impressive contralto owned by Arnan Zlotnik who gets his own 'bio-vignette', like several other of his colleagues. Accompanied by the performers' personal quotes, those brief introductions are skillfully integrated into a free-flowing 'narrative' largely told in body language and enchantingly diverse soundtrack.