With a total of 700 pieces, Bianco/Nero solidifies its place of my most voluminous project (in fact, it did that at 100 collages, I just went a bit overboard with challenging myself), posing as a vehicle for the transmutation of despair, a reflection and refraction of the innermost workings, a multitude of realities within a stubbornly pursued dream, a visual manifesto of concrete rules and ethereal transgressions. It bridges an illusory gap between the past and the future, rejecting the present for a surreal coexistence of all-time and no-time, as it feeds on unadulterated obsession, transcending its creator...
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