22 Sep 2017

Genealogies of a Crime (Raúl Ruiz, 1997)

 ☼☼☼☼☼☼☼☼ out of 10☼

Rooted in 'Ruizian' dream logic and rife with deceptive shadows, one-way mirrors, puzzling mind-games and switched identities, Genealogies of a Crime appears as a delirious, Hitchcockian-lite (pseudo) thriller by way of Robbe-Grillet, delivering in spades an elliptical story, eccentric characters, sharp verbal exchanges, twistedly intelligent humor, weird psychoanalytic role-play, elaborately designed sets, mystery-inducing score, outstanding camerawork for a heightened surreality and superb performances, especially from the ever-reliable Catherine Deneuve in a dual role with Freudian subtext, as well as from Melvil Poupaud as an 'innocent killer' not responsible for any of those three funerals...

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