16 Aug 2020

Sputnik (Egor Abramenko, 2020)

☼☼☼☼☼☼☼☼ out of 10☼

An ambitious and confident debut from Egor Abramenko, Sputnik is an intriguing mixture of character (melo)drama, social commentary, retro sci-fi, creature feature and body horror that wears its influences, from Alien to X-Files to Arrival, pretty close to its sleeve, yet still manages to maintain a certain level of freshness (and even authenticity). The exquisite monster effects, Maxim Zhukov’s attention-grabbing cinematography and the slick, austerely beautiful production design that sends us back in time to 1983 USSR provide some memorable visuals, whereby Oleg Karpachov’s ominously brooding score establishes a dense, immersive atmosphere. The leading duo of Oksana Akinshina (of the Lilya 4-ever fame) and Pyotr Fyodorov (whom you might’ve seen in Sarancha, the first Russian erotic thriller) command the screen with strong performances, and Fedor Bondarchuk seems to have a whale of a time behind the super-serious façade of the story’s true villain.

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