NGboo Art
Nov 17, 2021

Meta-Casa / Мета-Дом / Meta-Home

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Marking 296th addition to my Bianco/Nero series of digital collages, Meta-Casa  presents a re-imagination of the iconic pop-art piece  Just...
Nov 14, 2021

Metak

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Noćas je svinja preskočila Mesec, i za njom je nemo uskliknulo dete: „Gle, kako krava proždire lava, a jelen, sav nadut i zelen kao beskraj ...
Nov 1, 2021

Best Premiere Viewings of October

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OLDIES 1. Niezwykla podróz Baltazara Kobera / The Tribulations of Balthazar Kober (Wojciech Has, 1988) Cinema has the magical power to take ...
Oct 30, 2021

The Spine of Night (Philip Gelatt & Morgan Galen King, 2021)

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It’s been a long, long while (read: almost four decades!) since a rotoscoped sword & sorcery feature hit the big screens, which is why I...
Oct 29, 2021

Dýrið / Lamb (Valdimar Jóhannsson, 2021)

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Once upon a time, on an island far away, a childless couple, María and Ingvar, spent their peaceful days on a sheep farm. They rarely spoke ...
Oct 28, 2021

Crna zemlja za žedna usta

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Kao mesečar po polju od trnja žuri nekud ovaj sat. Da nađe zlu ženu? Ili drvenog patuljka? Kao zvezda se stropoštava u bezdan, a ja ni kriv,...
Oct 27, 2021

Bliss

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A reflection on the mystery of creation / incarnation of a creator's rapture. The absoluteness of art, and the noisy silence of a dream....
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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