NGboo Art
Jul 30, 2021

Fa yeung nin wah / In the Mood for Love (Kar-Wai Wong, 2000)

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WARNING: Unpopular opinion ahead! My brief history of watching Kar-Wai Wong’s films goes something like this: In 2012, I was presented with ...
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Jul 29, 2021

A Selection of Recent Artworks (VIII)

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For almost two years (since September 30, to be precise), I've been working on the 'Bianco/Nero' (White/Black) series of digital...
Jul 27, 2021

A Landscape with Three Convergent Suns Dying Inside

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Yes, I think that I recognize it now, because once I looked straight into the left eye of Forever. Between its divine impossibility and my i...
Jul 23, 2021

Hogtown (Daniel Nearing, 2014)

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“Why is it, when we look in the mirror, we wait for that moment when we forgive ourselves?” Set against the backdrop of the Chicago Race Rio...
Jul 15, 2021

Eltávozott nap / The Girl (Márta Mészáros, 1968)

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The first Hungarian feature directed by a woman, The Girl aka The Day Has Gone is a fascinating fiction debut from Márta Mészáros who prev...
Jul 7, 2021

The Bermuda Depths (Tsugunobu Kotani, 1978)

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Part H.C. Andersen-like fairy tale which appears like a spiritual predecessor to The Red Turtle , and part westernized Kaiju flick by way of...
Jul 1, 2021

Best Premiere Viewings of June

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1. Den Næstsidste / The Penultimate (Jonas Kærup Hjort, 2020) (read my review HERE ) 2. Armugan (Jo Sol, 2020) “Life always mocks us. It mak...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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