NGboo Art
Mar 23, 2021

Mechanical Violator Hakaider (Keita Amemiya, 1995)

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Taking cues from Mad Max and The Terminator , RoboCop and Harryhausen’s stop-motion classics (mixed with an Alien influence?), Keita Amem...
Mar 12, 2021

Izložba digitalnih kolaža 'Hypnos' u Galeriji NKC-a

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Večeras, 12. marta 2021, u Galeriji Niškog kulturnog centra (Bulevar Zorana Đinđića 37), pred malobrojnim posetiocima (što je donekle razuml...
Mar 6, 2021

The North Wind (Renata Litvinova, 2021)

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“Happy families are all alike; every unhappy family is unhappy in its own way.” – claims Tolstoy in the first sentence of his masterpiece A...
Mar 3, 2021

Kinoskop Spinoff Vol. 3: Raw Film

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Introduction by Kinoskop founder Marko Milićević. The third Kinoskop spinoff focuses on the 'raw' materiality of film, introducing s...
Mar 1, 2021

Best Premiere Viewings of February

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Half of 50 films I watched during February gets a mention on the latest monthly listicle. FEATURES 1. Záhrada / The Garden (Martin Šulík, 19...
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Feb 21, 2021

Pure as Snow (Anne Fontaine, 2019)

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Fully in command of every single frame she graces with her presence, Isabelle Huppert brings the inimitable composure, as well as a wide ran...
Feb 19, 2021

Hausen (Thomas Stuber, 2020)

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A very human type of deviousness gets an uncanny cosmic boost in an 8-part mini-series Hausen co-written by Till Kleinert of Der Samurai f...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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