NGboo Art
Feb 21, 2021

Pure as Snow (Anne Fontaine, 2019)

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Fully in command of every single frame she graces with her presence, Isabelle Huppert brings the inimitable composure, as well as a wide ran...
Feb 19, 2021

Hausen (Thomas Stuber, 2020)

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A very human type of deviousness gets an uncanny cosmic boost in an 8-part mini-series Hausen co-written by Till Kleinert of Der Samurai f...
Feb 1, 2021

Best Premiere Viewings of January 2021

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31 collages, 42 features and 85 shorts into what seems to be turning into another year of unrest, I present two lists of my favorite January...
Jan 22, 2021

Luminous Motion (Bette Gordon, 1998)

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"Sometimes it's very hard to tell the difference between your conception of the world and the world's conception of you." ...
Jan 21, 2021

Rinse: Repeat (Shelly Kamiel, 2018)

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“This is so EFS!” – loudly I thought to myself the moment I saw the autrice in a glistening party dress lying on the floor, blood dripping f...
Jan 20, 2021

Red Moon Tide (Lois Patiño, 2020)

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"The monster is the sea. It has been sleeping for centuries. We are its dream... The monster is the Moon. It devours time."  After...
Jan 17, 2021

The Golden Mask (Atoosa Pour Hosseini, 2020)

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There is a strong and strange connection between the found and original footage in Atoosa Pour Hosseini's latest film. If the former is ...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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