NGboo Art
Dec 31, 2020

2020 Highlights and 2021 Greetings

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Saying that 2020 was challenging would be a severe understatement, given that it turned our reality upside-down, and made it appear borderli...
Dec 29, 2020

Top 60 (Recent) Films of 2020

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Every January, I promise myself to establish a stricter film-evaluation system, only to end up challenged by more than 50 highly rated films...
Dec 28, 2020

Accidental Luxuriance of the Translucent Watery Rebus (Dalibor Barić, 2020)

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 ☼☼☼☼☼☼☼☼☼(☼) out of 10☼ Every encounter with the work of Croatian 'cinexperimenter' Dalibor Barić feels like a wordless conversatio...
Dec 24, 2020

Top 20 Classic Premieres of 2020

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This year, more than sixty 20th century features that I watched for the first time left a strong impression on me, but for my top 20, I deli...
Dec 23, 2020

Weird Weird Movie Kids Do Not Watch The Movie (Maximilan Le Cain & Rouzbeh Rashidi, 2013)

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There are at least three ways to interpret the second collaborative effort of Maximilian Le Cain and Rouzbeh Rashidi. Split in two distinct ...
Dec 22, 2020

Kinoskop Spinoff Vol. 2: Alchemy & Performance

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The idea behind Kinoskop spinoff is to promote publicly available celluloid films after the end of the festival season. As the title sugges...
Dec 15, 2020

L.O.R.D: Legend of Ravaging Dynasties 2 (Jingming Guo, 2020)

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 ☼☼☼☼☼☼☼☼(☼) out of 10☼ The continuation of L.O.R.D. saga by controversial young adult writer and pop idol turned director Jingming Guo mar...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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