NGboo Art
Aug 31, 2016

Kingsglaive: Final Fantasy XV (Takeshi Nozue, 2016)

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Firstly, a few words of honesty. I haven't played any of the games in nearly three decades running franchise of Final Fantasy , and...
Aug 27, 2016

A Swan Lake (Alexander Ekman, 2014)

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Watching A Swan Lake by Swedish dancer and choreographer Alexander Ekman feels dangerously close to discovering a whole new world, wi...
Aug 22, 2016

2 x Mini-Review (The Handmaiden / The Childhood of a Leader)

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Ah-ga-ssi / The Handmaiden (Chan-wook Park, 2016) Based upon the novel Fingersmith by Welsh writer Sarah Waters, the latest opus fro...
Aug 19, 2016

3 x Translated Review (Taking Tiger Mountain / Alpha / Welcome to Nowhere)

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What follows are the reviews of three highly experimental works of cinema, Taking Tiger Mountain , Alpha , and Welcome to Nowhere , writt...
Aug 17, 2016

Collective: Unconscious (2016)

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In 2015. five indie directors were tasked with envisioning and adopting each other's dreams for the screen. The result of their experi...
Aug 15, 2016

A Spring for the Thirsty (Yuri Ilyenko, 1965)

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Gloriously shot in black and white half a century ago, but not released until 1987, Ilyenko's directorial debut is a profoundly ...
Aug 9, 2016

The Neon Demon (Nicholas Winding Refn, 2016)

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(Niš, bioskop Vilin Grad, 08.08.2016. Nekoliko adolescentkinja u publici uporno je odbijalo da napusti salu, iako je bezrazložno smejanje ...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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