NGboo Art
Jun 29, 2016

Polugodišnji presek 2016

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Filmski osvrt na prvih šest meseci ove godine. Igrani filmovi 1. The Forbidden Room (Guy Maddin, 2015) 2. Endorphine (A...
Jun 26, 2016

Karagoez catalogo 9,5 (Angela Ricci Lucchi & Yervant Gianikian, 1983)

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Plivači. Japanka. Maskenbal. Jato pingvina. Podvodna fauna. Egzotične plesačice. Nestašna devojčica. Laboratorijski ogled. Crvenkapa i ...
Jun 23, 2016

Il giardino delle delizie (Silvano Agosti, 1967)

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Naoružan oštrim antiklerikalnim stavom u svom dugometražnom debiju, Silvano Agosti otkriva negativne posledice buržoasko-katoličkog odgoja...
Jun 21, 2016

Endorphine (André Turpin, 2015)

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  Simoun je... ... trinaestogodišnjakinja koja svedoči ubistvu svoje majke, razvijajući neobičnu oralnu fiksaciju (i praveći crnu ru...
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Jun 20, 2016

Украинская рапсодия (Сергей Параджанов, 1961)

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"Sve pluta na Betovenovoj veličanstvenoj muzici." Ukrajinska rapsodija , kao jedan od ranijih radova Sergeja Paradžanova...
Jun 16, 2016

Dada Panda

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(click to enlarge)
Jun 13, 2016

Avril et le monde truqué (Christian Desmares & Franck Ekinci, 2015) VS Tout en haut du monde (Rémi Chayé, 2015)

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Kada biste u ring doveli otelovljenja animiranih filmova iz naslova ovog članka, borba bi u nekoliko rundi bila izjednačena - oba su kopro...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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