NGboo Art
Oct 7, 2014

Szürkület (György Fehér, 1990)

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Prvi od dva filma koje je televizijski reditelj György Fehér (1939-2002) snimio za veliko platno je depresivna krimi-misterija Szürkül...
Oct 4, 2014

Closed Vision (Marc'O, 1954)

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"Mi ćemo biti oči veličanstvene noći." Debitantsko ostvarenje Mark-Gilbera Giljomina (koji se predstavlja pseudonimom Mar...
Oct 1, 2014

Novi film Mamorua Ošija!

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  Mamoru Oši , autor meni najomiljenijeg animea, enigmatične fantazije Tenshi no Tamago (Jaje anđela) , a široj publici poznatiji po...
Sep 30, 2014

To moram (Branko Radaković, 2014)

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Ako je verovati tumačima snova, šišanje i brijanje obično predstavljaju loš predznak. Za Branka Radakovića , multimedijalnog umetnika i...
Sep 26, 2014

5 godina NGboo Art-a

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Dok sam razmišljao o pesmi kojom bih mogao da obeležim jubilej bloga, nametnuo se singl Sea of Fog mladog britanskog benda Strangefruit , ...
5 comments:
Sep 24, 2014

1 (Pater Sparrow, 2009)

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"Ono što oko vidi i ono što vidim u oku identično je." Nagrađivani dugometražni prvenac Patera Speroua (o čijoj web-seriji O...
Sep 18, 2014

La danza de la realidad (Alejandro Jodorowsky, 2013)

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Više od dve decenije nakon Kradljivca duge (The Rainbow Thief, 1990) , kapi koja je prelila čašu prezira prema glumačkim zvezdama, Aleh...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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