NGboo Art
Dec 26, 2009

Royal Game (Josh Gottsegen, 2007)

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Šah nikad nije bio moja igra, ali u Gottsegenovom aranžmanu, to je prava, sočna misterija. Igrana forma, začinjena stop-motion animacijom. O...

Kiru (2008)

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Kada kažem "japanska kinematografija", obično mislim na prijatna iznenađenja i retko kada se desi da ne budem iznenađen... U stv...
Dec 17, 2009

Guin Saga (Atsushi Wakabayashi, 2009)

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"If light rules over darkness, than darkness must be the mother of light. Amidst the shining light is the darkness deepest underfoot....
Dec 14, 2009

Ohio Impromptu (Charles Sturridge, 2000)

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Kada neko kaže Samuel Beckett, prvo što pomislim je "Čekajući Godoa" (Waiting for Godot), tragikomedija u dva čina, koju nisam vol...
Nov 30, 2009

Вокалдьı Параллелдер (Рустам Хамдамов, 2005)

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"Heroj traga za svojom katastrofom. Bez katastrofe, on ne može da postoji." Čitajući esej o Hamdamovu na sajtu 366weir...
Nov 28, 2009

Yume jû-ya (2006)

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Tekst pisan za BG-anime . Odgledavši Yume jû-ya, shvatio sam koliko malo znam o zemlji izlazećeg sunca i kakva se sve iznenađenja u njenoj ...
Nov 26, 2009

Karas (Keiichi Satō, 2005-2007)

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Tekst o animeu Karas napisan je za bilten društva Sakurabana . Čuven prvenstveno po akcionim naučnofantastičnim serijalima iz 70-ih (Cas...
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Nikola Gocić
Nikola Gocić (born in Niš, Serbia, 1980) is an architect by education, film enthusiast by passion, and collage artist by obsession. An author of NGboo Art blog where he has been publishing his texts on cinema and showcasing his artwork, he contributed thirty articles for Taste of Cinema (in 2016 and 2017), and has frequently collaborated with the filmmaker Rouzbeh Rashidi on his Experimental Film Society (EFS) Publications. His short experimental comics has been exhibited at the Belgrade International Comics Festival, and once at Fumetto Comic Festival in Luzern, Switzerland. At the beginning of 2018, he has fallen in love with the collage technique, and has created hundreds of digital artworks since. Inspired by dreams, legends, fairy tales, folk tradition, Dadaism and Surrealism, avant-garde films, Brutalist architecture, alternative music, Japanese animation, 80s Saturday-morning cartoons and even fighting games, he has been merging his numerous and often incongruous influences into his own esoteric mythology. So far, he has presented five solo exhibitions, and participated at numerous group exhibitions via Artboxy platform. Contact: nikola[dot]gocic[at]hotmail[dot]com
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